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Shell Games. Sure, the title of Bright Eyes’ lead single from new album The People’s Key could be a snarky label for the state’s budget woes. But it also fits the track’s stripped-down, George Harrison-esque dark beauty. No longer indie’s wordy kid wonder, Bright Eyes maestro Conor Oberst made 30 this year, and this cascading groove kicks in with a knowing glance back at the anger of his twenties as he leans into the hope-flecked confusion of the oncoming decade of adulthood.
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