Pick up Louie Maistros’ The Sound of Building Coffins and you’ll hold a beautifully made book, heavy in just the right way; a book set in New Orleans’ Storyville era that does justice to the city as no other novel has since A Confederacy of Dunces, according to fellow author Donald Harington. He’s not the only one praising Maistros’ novel, which has received a positive Library Journal review and good words from Poppy Z. Brite, among other New Orleans mainstays. The Sound of Building Coffins is making noise.
“New Orleans is the only place I’ve ever lived by choice,” says Maistros, who has lived in Los Angeles’ Canoga Park and in Baltimore. He now identifies himself as a deeply rooted transplant, raising a family with his wife, Elly, who he met in his new hometown. His first trip in 1991 was fraught with engine trouble, but when he arrived in the city whose music and cultural history had so long fascinated him, he felt like a wide-eyed Dorothy glimpsing the Emerald City. He couldn’t think of leaving.
“Life may not be easy in New Orleans, but it is never uninteresting or uninspiring,” he says. “You can walk down the center of Canal Street in your pajamas and a top hat and not raise an eyebrow. In New Orleans, misfits are treated almost as royalty. Odd behavior breeds laughter and love, not contempt and disapproval.”